little 15 has been making waves on the london house underground scene since foot & mouth snapped up his amazing bootleg of depeche mode s policy of truth. several releases later, he joins forces with rome s metropolitan records to bring you his distinctively melodic take on deep house, cascading synths over a bumping bassline, before a beautiful vocal swoops in to bring back memories of hazy sunrises and loved ones. on the flip, sam russo (leftroom) takes the track down a dark alley, turning it into a deep, ominous, techy monster, totally turning the song on its head. mastered by masteringdivision

chase smith (wt records, technoir audio), phil boyd (modey lemon, tm eye, hidden twin, shockwave riderz), & karl o janpa go full 80s synthgoth, think blly idol, soft cell, depeche mode. pta dub it up on the flip.

best known for his collaborations with kanye west on two standout tracks from the groundbreaking yeezus album (send it up and black skinhead) as well as high profile remixes for lana del rey and depeche mode, paris-based dj/producer gesaffelsteins solo work reconnects hard techno to its pounding industrial roots

für clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken geloester, weil man beim umgang mit material anderer kuenstler mehr freiheiten genießt

2lp with download code included

sasha zählt neben paul oakenfold oder carl cox zu den weltweit bekanntesten britischen djs und produzenten. er startete seine karriere in manchesters legendärem club hacienda, und er remixte u.a. madonna, pet shop boys, depeche mode oder die chemical brothers. 2002 arbeitete sasha mit junkie xl zusammen und diese unterstützten ihn auch bei seinem debütalbum, airdrawndagger . im jahre 2000 wurde er vom britischen dj mag zum dj des jahres gekürt, und für seinen remix für felix da housecats watching cars go by erhielt er eine grammy-nominierung.

mysterious artist brings 3 big tracks full of energy & infamous samples on vinyl only imprint created to fight for right to sample.

michel amato aka the hacker is without a doubt one of the most successful and accomplished french djs and producers. since 1992 he is part of the international techno szene, widely acclaimed as a solo artist as well as persuing thriving projects with miss kittin. he is a rare gem ... an artists who always stayed true to his style and his early musical influences of bands such as cabaret voltaire, throbbing gristle, einstürzende neubauten, depeche mode or joy division. for his new satori ep on correspondant he makes no exception! originally hailing from mexico, daniel proclaimed disco caveman and rising comeme (matias aguayos label), transforms michels white funk into a psychedelic disco track. the remix unmistakably bears his signature: it is a maloso. offsets remix is a crawling monster. he digged deep and the result is a dark and hypnotic remix of white funk.

the perfect union between passion for detail and endless inspiration characterize the music of the versatile french dj/producer, darlyn vlys.
drawing his inspiration from gainsbourg, giorgio moroder, lindstrom, trentemoller, the chemical brothers, depeche mode, daft punk, cliff martinez, morricone, badalamenti, darlyns core is rooted as much in music as it is in film.

after a superb 2011 for crosstown rebels, they are now proud to present their next album, amirali >in time<. tipped as a one to watch for 2012 (mixmag), iranian/canadian producer amiralis debut album is truly exceptional, a subtle combination of house, techno, funk, electronica and downbeat with indie sensibilities. the album is reminiscent of depeche mode, radiohead, underworld and art department all through a modern electronic paradigm. amirali features on vocals on the album and is already being widely, regarded as one of the most accomplished debut albums of recent years. his recent single beautiful world (featuring remixes from deniz kurtel, daniel bortz & hrdvsion) was met with rapturous appeal gaining an ever-increasing legion of fans. in time is a fantastic body of work, from the hit singles my way, beautiful world and just an illusion to the down tempo painting on a canvas and last words, the album is full of beautiful sonic vignettes. other highlights include the broken beat whisper, the infectious hear me and the mammoth sounds of my life. just an illusion will be released shortly after the album featuring mk, franck roger and appleblim remixes. amirali has succeeding in producing a mesmeric and consummate body of work. the album has already been playlisted on npr and looking like another big album release for crosstown rebels.

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

kris menace is one of the most respected producers in electronic music and maybe one of the busiest remixers alive, working for depeche mode, lcd soundsystem, air, booka shade, kylie minogue just to name a few. kriss releases like discopolis or side projects like black van,became industry highlights and have been signed to some of the most influencial labels like dfa, permanent vacation, vulture, size and others. compuphonic is an electronic music record label owned and founded by kris menace in 2005. releases including the 3 cd idiosyncrasies album, voyager, streamroller, stereophonic or jupiter bought the label support by some of the world best djs like annie mac, pete tong, soulwax, boys noize, david guetta, aeroplane and others

boys noize – the remixes 2004-2011’ shows ridha’s electro stylings applied to the best and brightest in the industry. spanning over 6 years of work, this album showcases boys noize’s ability to rework source material into his own unique and inspiring compositions. from the stunning beauty of his remix of feist’s ‘my moon my man’ to the emotive synth work on daft punk’s recent ‘end of line’, alex’s touch never fails to impress. when we say ‘the best and the brightest’, we truly mean it, from critically acclaimed legends like david lynch to the cooler than cool n*e*r*d, this release truly has ‘a lot’ for everyone. be curious on the remixes boys noize did for depeche mode, snoop dogg and justice.

30 jahre nachdem sie ihre eigenen musikalischen wege eingeschlagen hatten, tun sich die beiden elektronischen musikpioniere vince clarke (erasure, yazoo, depeche mode) und martin l.gore (depeche mode) zum ersten mal seit 1981 wieder zusammen und veröffentlichen unter dem namen vcmg ein album und eine reihe von eps. vcmg ist das resultat einer halbjährigen auseinandersetzung mit ihrer gemeinsamen leidenschaft für techno und eine äußerst enthusiastische zusammenarbeit. das bisher noch unbetitelte album wurde von vince clarke und martin l.gore produziert und von dem kalifornischen produzenten Überzone/q abgemischt. es erscheint am frühjahr 2012 bei mute. die erste auskopplung ist die ep spock, die neben dem albumtrack auch remixe folgender künstler enthält: edit-select, aka tony scott. englischer dj und gründer von edit select records, der schon remixe für speedy j., death in vegas und gary beck gemacht hat. regis aka karl o connor. mitglied des sandwell district-kollektivs und mitbegründer von downwards records. xoq ist das alter ego von Überzone / q, der das vcmg album abgemischt hat.

italian producer simone fedi, hailing from tuscany, takes things to a whole new level on this third release on eskimo recordings. >bitter devotion< is a vocal pop gem with a balearic tinge, but its bittersweet vocals and the addictive melody will haunt you. for this tune fedi, a multi-instrumentalist with a knack for pop music and a soft spot for vintage gear, joined forces with a mysterious singer named lola rent, and this turns out to be a winning team.
bitter devotion comes with a rather spectacular remix package, ewan pearson (known from his remix work for goldfrapp, chemical brothers, hot chip, moby, franz ferdinand and depeche mode to name a few) gave it the royal treatment. as an additional treat, welcome stranger aka thomas bullock (rub n tug, laughing light of plenty, map of africa, whatever we want records) has indulged in a psychedelic >bitter devotion< dub, analogue and live... just the way we like it.

we met fred ventura in 2006 over emails sent to italians do it better headquarters. he was one of the first people from europe to start writing the label prior to after darks release. it took us a few months to realize that this was fred ventura, the cult italo legend from milan. like a true gentleman, he had never bothered to mention it. since the early 1980s fred ventura has released numerous singles in europe & toured the world extensively as a solo artist. last year, johnny was in bologna on tour with desire & fred came out to the show to drink champagne & bring us some copies of the reissued tapes of fred’s early post punk group state of art. the lightbulb lit up & we asked him if he had any home recordings of his solo work. months later, he sent us 83 tracks of cassette recordings between 1982 & 1987. they had been sitting upstairs in a dusty box at his parents house in italy for the last 25 years. these tracks have only been heard by a handful of his closest friends. we were completely floored & honored! finding a beautiful treasure completely untouched & preserved is so rare. the songs are raw & honest written by a romantic with a love for an anthemic chorus & a drum machine running through his veins. think early minimal depeche mode with an italian heart. ornew order covering madonna produced moroder. yes, its that good. here we have the first official italians do it better release of these songs on a 4 song 12inch ep. this vinyl only release is a teaser for the >dont give up< 18 track lp out in a couple of months. so in the meantime, slip on those gucci loafers, rev up the alfa romeo and head down to the discotheque because life is too short

hris liebing and the clr team are very exited about the upcoming release of clr 049. the engine ep by black asteroid is the brand-new project of an artist who has been an unconventional techno innovator and a big inspiration for many years. black asteroid is the brainchild of bryan black, who started his career as a sound designer for prince. while working with prince at paisley park studios, bryan learned and honed sound and production skills, which inspired him to start his own band. he moved to london england and co-founded a band called motor. their first demo was quickly signed to novamute, and after 2 singles, motor were catapulted to the top of the techno world, sharing stages with daft punk and kraftwerk at major festivals, and later embarking on a world tour supporting depeche mode in 2009. in april 2011, bryan decided to start a new project by the name of black asteroid, to showcase an exciting new sound and to re-capture the techno world once more

alison moyet started her career in 1982, at the age of 21, when she formed the electropop duo yazoo with former depeche mode member vince clarke. yazoo scored several hits and recorded two albums. however, in 1983 moyet and clarke decided to disband yazoo.in 1984, moyet released her debut solo album alf (titled after her punk-era nickname). the record became a huge hit and spawned three international hit singles: love resurrection , invisible and all cried out .

another debut for the new bass culture release. for bcr013, we welcome swedens joel alter. as a trained violinist and composer for the swedish national theatre, joels first steps into the world of electronic composition came with an exotic mixture of classical influence and modern inspiration, from acts such as depeche mode, jean-michel jarre and front 242. a key figure on the swedish music scene since 1995, joel has always seen his music as stemming from the meeting of a variety of artforms. his first steps onto the international circuit came with the signing of material to int. deejay gigolo and minus. since then, he has developed a strong relationship with hamburg label, room with a view, featuring on seven releases since early 2009, as well as releasing on berlin based label sweatshop...

hardvolume records proudly presents the second release on this up and coming hardcore label by stocker & mr. madness!the a-side starts of with break the silence, a soon to be hit in the hardcore scene! break the silence centers around its break for which mr. madness has borrowed >enjoy the silence< by depeche mode and will surely make every hardcore lover worldwide go completely mental! the second track on the a-side is the remix of break the silence by stocker & evolution which is a bit more aggressive and rough than the original. the flipside brings us fight by stocker, a cool industrial track with its dark and rough sounds. finally a poundin industrial remix of stockers bitch by non-other than bartoch (known for his productions on altern-hate & vindicta records) to finish of this ep.

james holden may not be a household name, but to fans of adventurous, progressive electronic sounds, the british techno sorcerer and psychedelic shaman is renowned as a genius. so revered are his talents that he has been tapped to remix some of pop music most eminent stars, including madonna, depeche mode, & britney spears, though as this mix demonstrates, his tastes tend more to the cerebral than those associations suggest. head of the zeitgeist-defining label border community which boasts fellow forward thinkers nathan fake & extrawelt on its roster, holden can count himself amongst that very modern breed of dj with a special knack for layering the most surprising of records with an unparalleled musical ear. his status as a free-spirit unconstrained by genre or scene is now championed by independent stalwart !k7, who have called up holden to deliver the next installment in their definitive mix series dj-kicks. holdens masterfully eclectic mix includes the first solo holden single in four years >triangle folds<, and his exclusive previously unreleased remix of mogwais >the sun smells too loud<.

black van brings together the talents and vision of two well-known electronic producers: kris menace, whose discopolis and other releases obtained dancefloor ubiquity, and who has remixed a list of notable names, including depeche mode, royksopp, air, underworld and lcd soundsystem, and kowesix, one half of the >all-night-dance-party< dj duo moonbootica, whose own remix credits include such diverse names as mando diao, junkie xl and adam freeland.

werkstoff musik war ursprünglich eine kleine partyreihe im berliner underground. mit neuen perspektiven und ehrgeiz entstand daraus die idee ein plattenlabel zu gründen, den namen aber beizubehalten. die einstige zielsetzung wird hierbei natürlich auch übernommen, mal für mal neue musikalische erlebnisse zu schaffen. dreher & sm.art dürften spätestens nach ihrem erfolgreichem depeche mode remix jedermann ein begriff sein. viele weitere produktionen auf namenhaften labels wie acker, rotary cocktail und ostwind folgten. nun zum kick-off das erstrelease >dreieckspeilung< auf werkstoff musik, ein track der es wirklich in sich hat. mittels fetten synthies und bassigen elementen wird hier eine musikalische abfahrt inszeniert. unterm strich ergibt das ein hammerstück, welches durch seine euphorische stimmung nach sommer und open air schreit. support kommt hierbei, mit den remixen, von frank martiniq und jerando.

really great 4 track ep by minima (kill a beat / craft music), david ekenbaeck (jackmoves), ladies on mars (depeche mode remix winner), javiunder & fabian argomedo (pressure), a great mix between minimal, techhouse and techno!

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

seit mehr als 12 jahren gehören die aus stuttgart stammenden gebrüder alexander und sebastian schwarz zu den international angesehensten protagonisten eines innovativen house-verständnisses einfach dazu. mit ihrer vorliebe für deepen und dennoch fordernden house zwischen tradition und moderne können die beiden auf eine schier endlose liste an koproduktionen und remixes zurückblicken, bei denen zusammenarbeiten mit den masters at work, underworld, missy elliott, madonna und depeche mode nur die prominente spitze des eisbergs darstellen. nach dem beitrag zu den >cocoon morphs tokyo<-eps aus dem vergangenen jahr (liquid cherries) setzen tiefschwarz diesmal auf perkussive reduktion mit schneidenden handclaps und starken vocal-samples (fall in). eine wahre perle liefern die beiden aber vor allem mit keep on ab, das zunächst mit delay-vocals und überraschenden noise-effekten dem bass die regie überlässt, um dann aber doch mit orgel und xylophon-parts sehr organische und jazzige elemente in den vordergrund zu rücken. so setzen tiefschwarz mit deeper und klaustrophobischer darkness einen ersten maßstab für modernen house-sound im jahr 2010

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.

duchess says are montreals answer to six finger satellite, to the units, to depeche mode. whilst nodding to no wave, to new wave and to punk, they do something more, something unique that pushes the power of their influences into new places. not at all bothered by format or conventions, duchess says can easily set fire to any warehouse parties or arenas. their musical influences range from no wave, new wave, punk, to cinema and visual arts. duchess says have the mandate to decontextualise the rock and to promote simultaneously their church on the way.

d.i.m. is back with this new party monster! after several profile remixes for depeche mode, chromeo, the presets, tiga or midfield general the mysterious producer from germany sat together with his friend tai to deliver the big time bassline tech-banger >lyposuct< - a track to be sure to destroy any dancefloor, hit! on the flip you get a fantastic groovy house-techno remix by youngstar noob who has recently remixed the likes of tiga, popof or dancearea and preparing his first release together with brodinski. his deeper house groove, bleeps and climaxes are perfect for upcoming ibiza season or any summer rave! big hit!! d.i.m. will play clubs and festivals in ibiza, uk, italy, brasil, spain and germany this summer

depeche mode revisited by huge artist & with original ! one of the most popular title played all the time by villalobos

nice price deal !!! besides their new album metal machine and their busy tour schedule as support for depeche mode motor re-works christian fischers schlachthof. second track comes from gabriel ben (tattoo detectives) with his massive vocals the track kills every dance floor. pure energy!

cortney tidwell has confirmed details of the first single to be taken from her forthcoming album boys which is – according to tidwell – >about two kids in love, fighting, and they eventually kill themselves. its a modern day romeo and juliet.< undeniably one of the most electronic songs shes written, it calls upon diverse influences like new order and depeche mode and packs a typically impressive melodic punch. the track will be available as a special single edit, and is accompanied by exclusive mixes and an a cappella version. after the success of ewan pearsons remix of the title track to her debut album dont let stars keep us tangled up (a pitchfork track of the year 2007) duties are this time handled by simon baker and daphni. bakers remixes for radioslave and simian mobile disco have confirmed his status as one of the most exciting djsand producers around, and he gives the track a technicolor tech-house workover perfect for summer twilight. daphni – aka dan snaith, aka caribou – has meanwhile turned in a fourteen minute monster, a trippy techno bastard that sneaks up gently, growing relentlessly until it leaves listeners dizzy and euphoric.

bongard problems is classic cornish influenced breakbeat techno with squidgy roland bass and 8 bit dirt percussion. motion studies is a swingy non linear acid disco trip with moody chord backdrops and some unexpected twists and turns along the way. pixel wrap is medieval echo techno with inhuman voices that give way to a late 80s rave breakdown that builds up into something else again. excalibur is a camelot techno galloper, complete with arthurian lyrics. blank expanse is the kind of music depeche mode ought to be making if they hadnt turned into u2.

strong electro house remake of the depeche mode hit

jim abbiss radio remix b jeuce rework. remixed radio friendly new single added to 6music b list, nme radio record of the week and receiving strong specialist support at radio 2 and xfm. their 2008 world tour continues into 2009, including an eastern european tour with depeche mode in may, which is preceded by a south american headlining tour and a co-headlining us tour with the faint. june will then see them play shows with brian eno in australia at the sydney opera house. further shows and festivals tba. their recent uk tour included a london date at shepherds bush empire. they are currently warming up for all this activity by writing songs with christina aguilera for her new album.

crystal is a live band from tokyo also known as sunao maruyama altogether influence by yoko ono, depeche mode, human league, cristina or art of noise, and you can surely tell listening to their productions. here they grant us with a 5 tracks ep on french famous institubes inprint filled with fm synths, machine drums from the past, and analog tools...

tribute to the seminal 1990 depeche mode classic >enjoy the silence<

likely ep is tims first release on tiefschwarzs souvenir label. lead track alike sounds like ivan smagghe jamming with richie hawtin in a warehouse rave in london, skirting a line between futuristic tech house and discerning electro. a live bassline holds down the groove as a trickling bleepy melody develops throughout the track. as more and more layers of elaborate sonic trickery are laid down, a driving snare jacks out the groove further before a series of effects laden breakdowns tighten the tension further and further. cowbells take the second phase of the track ever taughter before the groove emerges into a stabbing hook and pulsating synth noises that drive the dancefloor into blissed out oblivion. subtle vocals tease the ears in the background of the final strung out breakdown, never quite dominating the tune before the jacking bass and kick drop back in. ‘unlike shares a similar vibe for mixing live instruments with plug in madness. live sounding bassline and guitar lines open the track and roll out the groove before the main synth hook takes over. as the track rolls in and out of its breakdowns it lurches between reverb heavy, bleepy chaos and futuristic rhythms. think depeche mode writing an experimental instrumental on the moon in 2012 and youre halfway there. like many french artists these days tim lives and works in london and also collaborates with fellow frenchies ivan smagghe and dante eprom. he first caught the attention of vinyl sleuths with his excellent remix of db (8)s future now in 2004 and now runs his own label marketing music as well as pushing the boundaries of spacey electro flavoured tech house with his own solo material.

the midem 2007 tune! everbody wanted it! we have the rare first test pressing of this huge depeche mode house cover version

supported by marc romboy, olivier huntemann, nudisco, mugwump, da fresh, jack de marseille, michael forzza, david guetta, dave clark, claudio coccoluto, martin solveig, ivan smagghe and many more... the story goes like this: fred hush went dj-ing to the russian federation. he was invited by shishkanov evgeniy pavlovich (aka eugene for his friends). being a dance producer as well, he proposed >not gay song< to fred hush... just to test him really. fred hush immediately liked the deep 80s minded 120 bpm melody and influenced by the voice of eugene (with a certain depeche mode feeling), fred was immediately interested to sign this wonderful track to the palm beach label as a true potential dancefloor hit!

intense ep is the first laurent paranthoens 12inch release on elektrofon records. this french artist from paris is known for his production on the independent russian label q code. influence: kraftwerk, depeche mode, detroit techno, minimal techno, electro.

a very special compost release with two very rare tracks! the a-side features a great remix of beanfields >tides< with amazing vocals from bajka - of course its not quite up there with the unbelievable carl craig mix but then that would be an uphill struggle. ripperton from the lazy fat people adds his moody, deep slant to the track, less anthemic than carl craig but a more than welcome alternative. this mix was available for a short time as bootleg with ricardo villaloboss remix of depeche modes >sinner in me< on the flip and sold out quickly despite the poor sound quality. finally, one year later, this great tune sees it official release completely remasterd in chrystal clear sound - get it, play it, love it! in 2006 the duo tom wieland and marc frank - better known as 7 samurai - crafted a fine remix of invisible sessions under their panoptikum moniker. when michael reinboth considered this remix for his new future sounds of jazz compilation the guys decided to contribute even a little bit more: an excusive new version which became a definitely highlight of the whole compilation. the panoptikum 2007 remix surprisingly takes a leaf out of innervisions book for a smooth deep houser with a slighty techy sound and a touch of detroit in the vein of Âme or henrik schwarz. in contrast to the vocal version included on fsoj this 12inch features the trippy instrumental version. ace stuff! two must have tracks - all killer, no filler!

2007 marked an outstanding success in the world of swiss production duo ivan l and dan daniel. their blasting remake of one of the 90s biggest new wave hits enjoy the silence directly approved by depeche modes mastermind martin gore took the scene by storm with international recognition from all the key players such as david guetta, sander kleinenberg, james zabiela, roger sanchez, paul van dyk, hernan cataneo, victor simonelli, george acosta, paul oakenfold, jose amnesia, johan gielen and many many more...

depeche electro/ phunky house remake prod by two well known very succesful djs! limited dj test pressing - one sided

the second ep on console music comes from the bubbling with talent eastern block! the slovenian veztax, known for his numerous releases and dj performances sharing stage with massive acts such as depeche mode, teams up with the young talent aneuria to deliver the two minimal techno slammers on the a side and sun40 remix on the flip

the italian remixes on the yvan & dan daniel depeche mode cover. includes minimal chic, george acosta, robytek vs glm and

dont be fooled by the plural >boys.< alexander ridha, 24, is just one man and he can do it all on his own. nobody, however, would argue about the >noize< part. as a kid he taught himself to play the drums and piano, started to write his first songs when he was 12, and at the age of 16, discovered his love for programming and producing. his music and productions have excited massive interest from artists like soulwax, justice, erol alkan and the rapture and labels such as kitsuné, ed banger, fatboy slim s skint, dj hells intl gigolo and tigas turbo rec - to name a few. daft punk have sent him their love via myspace and his remixes of depeche mode, feist, british indie anthems >banquet< by bloc party and >everyday i love you less and less< by kaiser chiefs have thrilled global djs and crowds all over the world.

on logo side, flow vinyl welcomes jerome isma-ae, being the first german to have a record on the us house label strictly rhythm and his resume, while filled with work on labels like jee productions, universal, sony, ministry of sound uk, wea, craft music, hope recordings, re-brand, baroque rec, etc. isma-ae is known for his abilities to connect bright, uplifting and non-cheesy progressive style with an uncompromisingly rolling percussive groove. having a strong support by hernan cattaneo, nick warren, oliver moldan, tom novy, andy moor, chus & ceballos, dj mason. on the info side, german duo bjoern mandry & thomas gold teams up, to present us a huge progressive electro track filled with throbbing bass layers and a marvelous combination of deep pads and a huge vocal reminding us of depeche mode. they have been supported by tong, digweed, sasha, lawler, oakenfold to name a few